Digital
The 'gay button' in gaming: why LGBTQ+ representation in videogames shouldn't be hidden
Representation in gaming is getting better, games are no longer relying on stereotypical representations and LGBTQ+ characters are gaining a…
What We're Watching: March
This week we get into Australian content, from body positive documentary Embrace, to games, TikTok, podcasts, and a guest appearance…
Mighty Kingdom Turns Ten: An interview with CEO Philip Mayes
The games studio founder shares a decade of insight into scaling up, staying sustainable, and why you should ask if…
PAX Aus returns to Melbourne after a year online
PAX Aus have announced the festival will be held in person this year and gamers are rejoicing.
Hollywood script showcase finds truth of diversity pivot
Franklin Leonard, creator of The Black List script tool, talks diversity and fake woke in the script development process with…
Can you replace a scriptwriter with an algorithm?
Anton Andreacchio and Dr Lewis Mitchell sat down at Screen Forever to discuss the role of data in screen production,…
Movie Frenzy puts fat in the long tail
Distribution companies which used to rely on cinemas have been building ways of putting a tiny bit of icing on…
AIDC Zooms into its own inaugural awards program
For the documentary community, The Australian Dream is more than a fine picture suffused with controlled rage from Stan Grant.…
Screen Australia announces 21 projects for Story Development Funding
A TV adaptation of 'Ladies in Black', a new feature film for Khoa Do, and a 12-part feminist political TV…
How to build the perfect format show: from Naked Attraction to Gogglebox
Gogglebox? Dragon's Den? Naked Attraction? What kind of loon thinks of these things? His name is Tim Harcourt and he…