Digital
VFX TV Workflow: realising the impossible dreams
Cinema scale VRFX, with its vision and fantastically disciplined workflow, is too complex for television, right? This is how they…
Blue Post: move to Sydney reflects slo-mo ferment in TV sector
The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post's move into…
LeWeb: Capitalists go hippy, offer Australians discount for key conference
Reed Midem, which runs the MIP conferences, has plunged into the digital world with the purchase of LeWeb, a strand…
Brief: Kodak moves to preserve role of film internationally..
In Rochester, Kodak has appointed Christian Richter to the new role of film lab and studio relationship manager. The big…
Playpen: video reveals horrible truth of campaign to make Iron Sky 2
Given that Indiegogo is doomed to grow until it becomes ferally competitive, it is not surprising that the Iron Sky…
Neville Page: killer frogs, the ultimate fang, and the joys of designing creatures for Avatar
The imaginations of people like creature designer Neville Page are crucial to the golden age of tentpole movies, dominating world…
Hive: final call for entries to Hive Production Fund on Monday May 13th
An initiative of the Adelaide Film Festival, in partnership with the Australia Council for the Arts, Screen Australia and ABC…
Spectrum Sale: old analogue spectrum sold for $2b song
While the screen sector vacates all that old-fashioned spectrum to broadcast digitally, Telstra, Optus and TPG bought in to provide…
XMediaLab: back after ten year Odyssey
The X Media Lab is now ten years old, has reinvented itself, and is testing some new ideas with a…
Distribution Future: is the triumph of digital communication a lot of analogue piss and wind?
As we hover between disk and download, cinema and long tail, some argue that digital distribution will stabilise and save…