All Screen
Music is in danger of being taken for granted - screen composer Amanda Brown
The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing…
News in Brief: year begins with modified hope and modest dreams
Screen Forever moves online, ACMI's set to reopen, and classy Australian films screen at cinemas. Here's what you need to…
You like them and so do we: a sampler of favourite Screenhub stories
Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in…
Words that drive us crazy in your media releases
From 'shining a light' to 'unique', 'thrilling' and 'punching above their weight', we identify the worst PR offences, with top…
Screenhub's best career articles 2020
Maintaining sanity was a key theme in this year's most popular career articles as we pivoted, pirouetted and battled Zoom-exhaustion.…
2020 year in policy – seeing the world in a different way
2020 was finally a year of big change in Australian screen policy, while we as people were tested to find…
Screen News in Brief: Australia's summer films catch fire, doco funding announced and more
We're heading back to cinemas; Causeway's supernatural horror comes home from Serbia; and awards, opportunities and opinions abound in this…
The AACTAs in viral times: some reflections with a touch of history
As the publicity caravan moves on, we can sense the longer term influences which shaped this year's AACTA results.
How NZ Kept Cameras Rolling
NZ Film academic Dr Gabriel Reid offers an insight into what has been an extraordinary year for the industry, particularly…
Inside Screen Australia's strangest annual drama report ever
Combine the strange rules of screen production research with a pandemic and the resulting space-time ruckus is a true headache.…