All Screen
Who really owns Hollywood?
We analyse the quarterly and annual results of the biggest screen media production companies, and speculate on the motives of…
Australian Ads are still made by white people, for white people
The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions…
Courage, Confidence & Strategy: Sue Maslin's advice for women pursuing leadership
Inspired by Natalie Miller, Sue Maslin says we need more women taking the leap into positions of financial and creative…
Media reform policy process brings sector conflicts to a head
The Green Papers sent to the Media Reform process make agreement impossible in a whirly whirly of change. This is…
News in Brief: What Melbourne's lockdown means for screens
Plus a round-up of all the week's news and reviews from the world of Australian film, television and games.
Bunya Media Group employs Penny Smallacombe and grows a new arm
Taking advantage of Covid development support and Screen Australia Enterprise money, Bunya has moved up a level as a production…
Behind Amazon Prime's billion dollar buyout of MGM
Amazon's approach to streaming is not really about streaming at all. It's another part of the retail giant's multi-pronged approach…
2021 ACT Screen Arts recipients announced
The 8 successful ACT-based recipients span all stages of development, and includes an interactive fiction videogame, writing mentorship, a producer…
Beating the Computer's Selection Process when applying for jobs
Automated CV scanners use very blunt tools to cull applicants. Here are some tips to get yours seen by human…
Why be a producer? Sue Maslin, Owen Johnston and Gus Howard tell all
The film industry runs on good producers, though it can be a daunting role. Screenhub talked to three veterans who…