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Review: Julian Rosefeldt: In the Land of Drought, NGV (VIC)

A surreal, visually arresting meditation on the future of our planet.

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Film review: Iron Fists and Kung Fu Kicks entertains and informs

Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.

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Review: Midsommar is as gory as it is uplifting

Originally billed as a slasher, the result is an unexpectedly joyful reflection on communal experience.

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MIFF Review: Dark Place Indigenous Horror Anthology a defiant success

A quintet of shorts shines the horror lens on race relations and shouts the hearty arrival of new talent.

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Film Review: Danger Close: The Battle of Long Tan

Kriv Stenders' focused scope makes this an intense viewing experience, writes Anthony Morris.

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Palm Beach holiday blues

Escapist fun or oblivious contempt, Rachel Ward's film seems confused about its intentions, says Mel Campbell.

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TV Review: Les Norton feels like light-hearted Underbelly

The ABC brings 80s pulp crime classic to the small screen with larrikin energy but mixed results.

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Now showing: The Australian Dream is a spacious and inspiring essay

An elegant portrait of Adam Goodes was the best MIFF opener in years ahead of its national release.

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TV Review: The Hunting is hot and urgent

Powerful, topical and superbly produced, this is a rare event in Australian television history, writes Chris Boyd.

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Film Review: Fast & Furious: Hobbs & Shaw

Dwayne Johnson and Jason Statham strut their stuff in this ludicrously fun Diesel-free spinoff.

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