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The Bear, Disney+ review: one of 2022's standout shows

The pace and physicality of screwball comedy meets the fraught, raw quality of documentary in this winning, mordant series.

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Andor, Disney+ review: believe the hype, it's amazing

The prequel to 2016's Rogue One: A Star Wars Story offers nuanced, scathing allegories and masterful production design.

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Bali 2002 Stan review: tackles painful memories with a sombre approach

The new miniseries from Stan and the Nine Network attempts to cover all sides of the infamous Bali bombings –…

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The Dreamlife of Georgie Stone on Netflix: a fierce trans advocate shines

The film’s mission, beyond Stone's story, is to increase awareness around transgender issues and become an education resource.

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Los Espookys is queer and wonderfully weird

The hit Mexican comedy on HBO nails the difference between a queer show, and a show with queer people in…

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Heartbreak High, Netflix, review: showing respect, solidarity and consent

The reboot of the 1990s show offers way more than nostalgia – it's fresh and watchable, with characters who aren't…

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The Serpent Queen review: a period piece that finds its feet in the occult

The Serpent Queen casts a spell on the well-worn period drama genre, but will the magic last?

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Pinocchio (2022) review: Disney pips Del Toro to the post

Robert Zemeckis directs an uninspired, 'murky' remake of the 1940 animated classic, which hopes to gain numbers before Guillermo Del…

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Savage River, ABC, review: let it flow

Savage River isn’t exactly a missed opportunity, and things come together, but a slow start doesn’t do it any favours.

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Nostalgia film review: remembering is suffering

A man struggles with his rose-tinted vision of the past in this slow-burner drama from Italy.

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