Opinions & Analysis
Bridgerton Season 3 – all the usual froth, but with a more mature edge
Bridgerton's third season has arrived on Netflix – and this time it's got an edge.
Energy, climate and corporate ties in Australian documentary
The links between promotion and philanthropy in the documentary sector have a long history. What have we learnt?
No bad accents in Apple's Acapulco: why multilingual TV is good for everyone
Acapulco on Apple TV+ being just one example, over-the-top accents are out and authenticity is in.
What to watch this week on streaming: the shows we love (or not) right now
Streaming options got you spoiled for choice? ScreenHub staff Silvi Vann-Wall and Rochelle Siemienowicz share their viewing – the good,…
Real comedy, real trauma: how Baby Reindeer and Feel Good are forging a new TVÂ genre
A new generation of comedians are adapting their traumatic experiences for dark comedy.
Challengers: a competition psychology expert weighs in
Challengers fuses sex and sport in a straightforward but effective way, says a psychology expert.
Fallout on Prime incorporates the best elements of gameplay
Fallout the series adapts the game to satisfy fans, while offering a great standalone story for newcomers.
David Tiley meets final deadline
ScreenHub's defining editor is remembered by his close friend and former colleague, who shared his love of a good plot…
Baby Reindeer on Netflix: a look at male sexual victimisation
The new Netflix hit sheds light on the often overlooked male experiences of sexual violence.
Is Tom Ripley gay? Netflix's adaptation keeps it ambiguous
The Ripley villain in the Netflix series is just as unknowable as Patricia Highsmith wrote him.