Opinions & Analysis
Paddington in Peru: how a little bear teaches us about kindness and family
Paddington in Peru explores themes of kindness and family in a journey to reconnect with his roots.
'Menopause madness' no more: how the change is changing on TV
We're seeing more stories about menopause on television, with stories that show greater empathy.
Would you be better off without your kids? Audrey cheekily asks the question
Audrey is a quintessentially Aussie dark comedy that questions the sacrifices of motherhood.
Woman of the Hour: reframing true crime in a post-#MeToo era
Anna Kendrick’s unflinching directorial debut, Woman of the Hour, reframes a real crime for a post-#MeToo era.
Australian stories silenced as govt ponders local content quotas for streaming giants
Australian screen producers anxiously await the long delayed legislation for streaming quotas.
5 incredible Indian films from the 2024 Adelaide Film Festival
5 standout Indian films from the Adelaide Film Fest that redefine cinematic storytelling.
What makes a great TV kiss?
The onscreen kiss has a long and storied history, culminating in the sensual smooch on Netflix's Nobody Wants This.
AI is bleeding into the VFX industry – here's why that's scary
Generative AI's rising role in film VFX raises creativity concerns among screen industry workers.
Peter Weir’s The Cars That Ate Paris – a driving force in Ozploitation filmmaking
How The Cars That Ate Paris shaped Ozploitation film culture.
Gogglebox Australia: why we love it and always will
The TV show about watching TV shows is democratic, repetitive and heartwarming – and now in its 20th season.