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First of a Kind - Last of the Bunch: on the fourth day, the SAFC took form in the void..

Only Dr O'Donnell could be witty about the shuffle of reports that led to the South Australian Film Corporation. That's…

Features

The Future of Film: you thought it was dead, yes?

While digital exhibition may be dead on its feet, cinematographer and teacher Jeff Bird delivers a tightly researched argument that…

Features

MIPCOM 2012: reflections on the tectonic shifts in international television

Laszlo Kriston, ScreenHub's own internationalist, looks at the rise and fall of empires, the bounce and shove of egos, and…

Features

Playpen: caged workers and flying pigs

In the fast-moving world of commercials - very different from long for work - there is a certain irony in…

Features

Annual Drama Report: Screen Australia reveals 25% rise in drama production

According to the annual Screen Australia Drama Report for 2011-12, the spend in 2011-12 was $623m, and feature production figures…

Features

Ratings: Thursday, 1st November 2012

Redfern Now, Australia's first truly Indigenous drama, took 721,000 in the five capitals. That is 130,000 less that the final…

Features

Censorship: Australian censors fang horror comedy

Father's Day, a Canadian horror comedy, has been refused a classification by the Board just two days before it was…

Features

Brief: Altmann and Brindley get clinical on script bones

Partly in the spirit of supporting any group who have a lifetime of script smarts parked in a trembling pantechnicon…

Features

SPAAfringe 2012: Peter Broderick vindicated by slow

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Features

Disability Access: much more than a fight about cinemas

The Other Film Festival, which explores films by and about people with disabilities, ran panels which turned out to ask…

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