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Features

Cannes 2013: The Australian impact on Cannes - honestly

The industry may think a film is Australian because our mob made it for an international market, but the festival…

Features

Cannes 2013: financing trends and realities, part two

"Film has become a place where capital meets opportunity... What’s harder for us is financing vehicles that are very dependent…

Features

Cannes 2013: challenges in film financing, part one

Why are mid-range films being burnt out of the market? 'Risk to reward ratio' say the bankers who control the…

Features

Ratings: Wednesday 29th May 2013

Offspring delivers 798,000 for Ten, while The Block keeps Nine in the game just behind Seven.

Features

Cannes 2013: An Australian perspective on the market

Part of any market is reading the entrails - was it a good market, a bad one, or somewhere in…

Features

Blue Post: move to Sydney reflects slo-mo ferment in TV sector

The post-production market is segmented, specialised and very, very dependent on the quality of key staff. Blue Post's move into…

Features

ACS: short film shoot wins Cinematographer of the Year

Veteran cinematographer Jonathan Rossiter ACS has done something unusual, getting named Australian Cinematographer of the Year for his work on…

Features

Brief: Women Cinematographers Group Invites Membership

The Women’s Advisory Committee of the Australian Cinematographers Society held a meeting in Canberra at the National Film and Sound…

Features

Ratings: Monday, 27th May 2013

Just like every other Monday night since Nine brought out the tonsil show.

Features

Ratings: Tuesday, 28th May 2013

Kath and Kimderella down at 0.485m

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