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Gristmill: doing it the way they want to seems to be working

Gristmill, known for The Librarians and Very Small Business and Small Tales and True has now gone positively tiny with…

Features

Beyond the Cinema: Screen Australia responds to critique

Frustrated by the distribution guarantee bottleneck, filmmakers are questioning its role in Screen Australia decisions. Kathleen Drumm, head of marketing,…

Features

Screen Australia: multiplatform madness loosed with new money

The revised Multi-platform Drama Production program from Screen Australia has yielded a group of creative teams that is actually (gasp)…

Features

Brief: Rover follows the Bling Ring onto slate of company in a hustling hurry

The Rover, written and directed by David Michôd frfom a Joel Edgerton story', produced by Liz Watts of Porchlight Pictures…

Features

Brief: latest 2013 tranche of production from Screen Australia

$15.5m on three features, six adult TV series and three kids' series adds up to a monster board meeting and…

Features

Playpen: warped moments as robot flick heads for feature finance

Strategy in action - Warp (cousin of Warp Australia) releases a short on the net to support financing for a…

Features

Gatsby: computer magic behind the effects

Chris Godfrey, the VFX supervisor on The Great Gatsby, has posted a reel of before and after shots, in which…

Features

SPAA: lobbying breakfast attracts key ministerial figures from both sides of politics

SPAA organised a semi-public breakfast on Wednesday which pitted both Tony Burke, the current Minister for the Arts against his…

Features

Playpen: scarey fun with a rotoscope

Since 2008, English animator Joseph Pierce has made three short films about public and domestic life in the UK. They…

Features

The Future of the Sector: major players argue difference between utopia and dystopia is a matter of

Greg Basser, CEO Village Roadshow Entertain Group, and David Haslingden, the Chair of Channel Nine, stage their own battle of…

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