Features
AACTA: Reflections on the 3rd AACTA nominations from a former insider, part two
Rochelle Siemienowicz reflects on the industry's passion for criticising its awards system, the tricky problem of honour television, and asserts…
Post Production: crucial questions to define our future, part 1
Post production is crucial - we all agree about that. is the sector going extinct? being sucked to death by…
Television Funding: NZ puts Australian system into turmoil
The NZ government has announced that its television industry will receive a 40% rebate, while the Australian industry is stuck…
Asian Television Market 2013: Singapore and the changing face of distribution
The nature of distribution is truly an international issue, as Dr O'D discovered at the Asian Television Market - where…
Post Production: Crucial questions to define our future, part 3
Dominic Case looks at the possible futures for his beloved post-production sector. For once, the argument is not about technology…
Jenny Woods and Film Finances: bonding over twenty years
'Completion Bond': [n] - a legal contract which ensures that any heart attacks before the completion of a film will…
Judy Adamson: history, memory and remembrance
Every death in the screen sector hurts terribly, but some funerals mark the loss of our deep history. I've kept…
Asian Animation Summit 2013: the soft power of 'confero-diplomacy'
With Screen Australia and the ABC as core initiating partners, the Asian Animation Summit (AAS) is an important event for…
MPA APSA Academy Film Fund 2013: fallout for a canoe, monkey masks and a Karbala Orchestra
One of the niftiest features of the Asia Pacific Film Awards is its development fund, which provides four tranches of…
Playpen: state of the art Antarctic TV
An unintentionally hilarious Youtube video is a lot more than a bit of Christmas fun. It points to the fusion…