National
Film Review: Dirt Music has a sense of disconnection
Lovingly capturing its West Australian locations, this Tim Winton adaptation would have worked better with local lead actors, argues Sarah…
ACMI's Big Games Night In brings a personal touch to games week
For the first time, Melbourne International Games Week has run completely online, and ACMI have stepped up to the plate…
One Punch: smartphones, improvisation, tiny crews and night crowds
Darcy Yuille has worked on crews and taught camera techniques for twenty years. Here he builds an aesthetic and development…
Box Office continues dire with small rays of light
The Secret Garden looks like a gentle fantasy world for kids and adults alike as everything else melts before our…
Australian games industry: one step closer to rebates and sustainability
A sustainable Australian video game industry? Production rebates are a small, important step.
Screen budget 2020 - no relief for ABC, SBS and agencies
Similar amounts of cash to run the agencies while screen makers continue to agonise over the tax changes.
Film Vic announces Amplify Victoria, a podcast production fund
The newly announced documentary development funding initiative co-funded by audible has a view to supporting the production of premium podcasts.
Mark Morrissey: key agent and manager, on his new direction
The hardy internationalist with Hollywood clients has announced his own production vehicle, First Option Pictures. His first project resurrects a…
Eight female Indigenous writer-directors selected for RED Anthology
West Australian Indigenous production companies PiNK PEPPER and Ramu are teaming up with the NZ powerhouse behind successful portmanteau feature…
The government's announcements: Screenhub reflects
"This too shall pass.' In a week of convulsive re-invention, we remember the basics.