National
Film Review: Penguin Bloom plays it by the book
Naomi Watts is compelling in a story of resilience that sticks closely to the true account and to the formula…
Music is in danger of being taken for granted - screen composer Amanda Brown
The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing…
Start making games with these code-free tools
Don't let a lack of programming know-how hold you back from developing videogames.
Box Office: Eric Bana is an Australian hero
The drily titled The Dry is doing remarkable business which could well be leg one of a trifecta.
What We're Watching: January
Teenage Kicks, Wolfwalkers, and musical YouTube channels: let's take a look at what the team is watching at the start…
This is why you can't stop watching 'bad' TV
The idea that popular TV is 'bad TV' may be more overt in the UK, but it runs deep even…
From home to the world – an honoured screen composer has her life sewn up
'The ability to focus, without interruption and just inhabit a beautiful space where you're working extremely fast with clarity.' Nerida…
News in Brief: year begins with modified hope and modest dreams
Screen Forever moves online, ACMI's set to reopen, and classy Australian films screen at cinemas. Here's what you need to…
TV Review: Bump is Australia's answer to Booksmart
Sharp and sweet, the new Stan series from Kelsey Munro and Claudia Karvan is a quirky teen pregnancy drama in…
How Australian films did globally in 2020
From The Invisible Man to Measure for Measure, Anthony Ginnane does his annual scorecard of Australian film's global theatrical performance.…