National
ICYMI: A wrap of this week’s arts news
Aboriginal art in NYC, success at Perth Festival, objections to proposed amalgamation of WA orgs, and new projects for Barangaroo,…
Samsung proclaims the death of the projector but we may not notice
Screens, projectors, frame rates - the evolution of the cinema races ahead.
Film Review: Godzilla II - King of the Monsters
Give us the giant city-smashing creatures we're here for - and less of the puny human drama, says Anthony Morris.
Film Review: Rocketman is a blast
Revelling in the pure emotionalism of the stage musical, Mel Campbell is singing along to this Elton John biopic.
The Netflix Genre: The Perfection, Rim of the World & Booksmart
Is there such a thing as an identifiable Netflix film? Adrian Martin has a first take on an important pressure…
Small Screen Highlights: Women own this joint
Quite by chance, our TV picks are dominated by fierce femmes in Wentworth, Killing Eve, The Handmaid's Tale and The…
Cannes losing relevance? Not the way we see it.
In a quiet festival, the US film press looks for evidence for the decline of Cannes.
Disability Arts: the last avant-garde?
Is it a movement or a right? A disability-led panel takes the pulse on aligning rhetoric and action when it…
Screen Australia risks $700,000 on development
Any development investment is a huge risk. What punts has Screen Australia taken this time? And why should you feel…
AFTRS forced to reorganise courses under bureaucratic pressure
Times are tough for AFTRS' commitment to social justice. It hangs in with two steps forward and one step back.