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ICYMI: A wrap of this week’s arts news

Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and…

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Kate Mulvany scoops the AWGIES

The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.

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Box Office: The Australian Dream hits cinemas amid flash, fun and flameouts

Animation rules at the box office and limited release, while some Aussie productions are just hanging onto their screens.

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TV Review: Glitch season 3 really will be the end

Inspired by a trash voodoo myth, Glitch gives the Undead an unnerving Australian edge even as it keeps the secret…

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What exactly does a showrunner do?

This television role is crucial – but strangely elusive. Darren Paul Fisher sheds some light on the secret life of…

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AWGIES 2019 - clear favourites dominate night

Irish eyes were smiling all over the audience of writers at the Australian Writers Guild's annual awards. And TV featured…

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On the move: new ACCA ED and Overland editors appointed

New leadership roles announced for ACCA, UTS Animal Logic, Sydney Design Week, Overland, SA Film Corp, among others.

Features

Fleabag’s feminist rethinking of tired screenwriting tools

Phoebe Waller-Bridge's writing on Fleabag is as formally intriguing as it is emotionally complex.

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Small Screen Highlights: from the historic to the hilarious

This is a highlights reel for the ages, with offerings of rare archival footage, comforting faves and a mobile world-first.

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Film Review: The Kitchen's stars struggle against patriarchy – and poor scripting

This gangster tale could have been a feminist favourite, but its stellar cast are let down by one-note character writing.

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