National
Big Screen Highlights - Promised, Emu Runner, Finke and Happy Sad Man
Very different visions of Australia pile onto our screens, though you may have to search to find them. Plus festivals…
Piloting a Program for Change: Women in Film & Television (WIFT) Australia
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne…
Rose d'Or finds Australians at both ends of the spectrum
Rose d'Or Awards hopes are up, fired by very hot vegetable.
Garth Davis in joint venture with See-Saw called I AM THAT
With Samantha Lang as head of development, Garth Davis and See-Saw are formally joined at the business hip.
How much SVOD content is Australian? Here are the facts
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content.…
Collecting the history of video games
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
Box Office: Little Monsters, Ride Like a Girl and Promised
Parasite has sucked the arthouse world dry and hasn't finished. Ride Like a Girl is still out in a mad…
Just Hit Send: Christian White's top tips for authors and screenwriters
The bestselling novelist and screenwriter of 'Clickbait', Netflix's first Melbourne project, talks story structure, terrible first drafts and the myth…
Applause: Latest awards and funding announced
Winners announced for Australian Antarctic Arts Fellowships, Victorian Craft Award announces recipients, $140,000 John Monash Scholarship announced, plus more.
Drama report confirms resilience of Australian screen sector
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.