Stephen A Russell

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ABC's Space 22 convinces on art therapy

Bringing seven strangers together in artist-led group therapy unveils encouraging results in this six-part series hosted by Natalie Bassingthwaighte.

A searing pain from the past cuts deep into the present. Image: Fan Force.
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Little Tornadoes review: Christos Tsiolkas co-writes a rewarding film

Aaron Wilson’s emotionally complex feature explores the long shadow of war in 1970s Australia.

Easy answers give way to complicated and confronting questions. Image: A24.
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After Yang review: a remarkable vision of humanity

American-based filmmaker Kogonada (Columbus) spins a fascinating take on an age-old obsession in this beautifully melancholic film.

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The Northman review: a monumental achievement

A marvellously menacing rite of passage, The Northman is not to be missed.

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When the Camera Stopped Rolling: giving Lilias Fraser the recognition she deserves

Lilias Fraser is a name all Australian film buffs should know – her daughter Jane Castle delivers a fitting tribute…

Michelle Yeoh cements her reputation as a living legend. Image: Roadshow.
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Everything Everywhere All at Once review: bonkers but brilliant

If you’ve somehow snoozed on Michelle Yeoh’s career, this demented and hugely enjoyable film is a great place to start.

Peter Dinklage exudes kilowatt charisma in this adaptation of the hit off-Broadway musical. Image: Universal Pictures.
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Film Review: Cyrano still shines brightly

Game of Thrones star Peter Dinklage offers a new take on the lovelorn hero of this enduring tragicomic romance.

Catwoman (Zoe Kravitz) faces Batman (RobertPattinson - a masked man against a city backdrop
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The Batman review: a return on a staggering scale

In this epic rendering, Robert Pattinson understands that both Bruce Wayne and the Dark Knight wear masks.

Joaquin Phoenix and actor Woody Norman in a still from C'mon C'mon.
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C’mon C’mon review: life isn't always black and white

Mike Mill's latest film, starring Joaquin Phoenix, is a big-hearted, if sometimes flawed, affair.

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Death on the Nile review: it lacks life

Why do some Agatha Christie adaptations steam ahead while others run aground? Maybe it depends whodunnit?

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