Izzie Austin

PhD candidate in cinema and screen studies based in Naarm. My current research area is revenge and justice in teen film, and I like to write about genre films, feminism and queer theory. I co-host a podcast called Pill Pop, an audio roadtrip for the chronically ill.

Izzie Austin's Latest Articles

StarsStarsStarsStarsStars

Paper Girls on Amazon Prime: a 1980s sci-fi with lots of heart

It’s the morning after Halloween 1988 ... So begins this intriguing and exciting story that blends time-travel with coming-of-age.

StarsStarsStarsStarsStars

Three Thousand Years of Longing: George Miller's wish upon two stars

Tilda Swinton and Idris Elba learn not to bottle it all up in this epic and heartwarming fantasy by the…

Features

The Umbrella Academy is a masterclass in adaptation

The Netflix series changes and expands on its source material to create something that is clearly an adaptation but also…

Features

Spoiler alert: spoilers are stranger things than they seem

How long should you wait before revealing spoilers about your favourite films and TV shows?

Opinions & Analysis

Bechdel, Sexy Lamp, Vito Russo, Riz – which test is best?

The people we’re asked to empathise with on screen are still overwhelmingly, if not exclusively, male and pale.

Opinions & Analysis

Russian Doll season 2 breaks the time loop déjà vu

What happens when the sun rises on a new day after many identical moons? Russian Doll offers clues that Groundhog…

Opinions & Analysis

How to Please a Woman review: sex work comedy with ups and downs

Set in Western Australia, Renee Webster's debut feature film celebrates the humanity and dignity of everyone involved.

StarsStarsStarsStarsStars

The Drover's Wife review: a terrific Outback Western

Writer-director Leah Purcell casts fresh eyes on the dangers a woman alone might face in nineteenth-century colonial Australia.

Jake Johnson and Ophelia Lovibond star in Stan's comedy Minx.
Opinions & Analysis

Stan comedy Minx handles feminism ... quite well actually

In the wrong hands, period pieces can reinforce sexism, racism and homophobia – not here.

1 2