David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

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SPA starts survey, aiming to defend the sector with numbers and trends

Screen Producers Australia has announced a Screen Production Industry Survey, due by May 25, to fill what it believes is…

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Brisbane film festival mystery solved

QAGOMA takes BIFF on a Magical Mystery Tour. Who knows where, but already the organisers know roughly when.

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What's On in Film: Guernsey Potatoes gather pace as other arthouse fare going

Isle of Dogs, The Party and A Quiet Place are real treats while The Square, The Songkeepers and Early Man…

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The ANZAC cinematographers, in all their eccentric glory

The cinematographers who covered the Australians in World War One were a fantastic bunch, with a supporting gallery of remarkable…

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Box Office 23 April 2018 - Amy Schumer tops the list

Peter Rabbit is still comfy in his burrow. We have taken to A Quiet Place, and Amy Schumer. But the…

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Cannes 2018 - tilting at windmills?

There's a lot of fuss and bother about Cannes this year, as it stoutly resists change behind a barricade of…

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Sale of cinema collectibles spotlights remarkable child magician, tap dancer and hoarder

Vincent McMurray was an unusual compulsive collector of cinema memorabilia, who was hugely loved despite his defects. Now his vast…

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What's On in Film: Guernsey spuds, Isle of Dogs and Last Flag Flying

The Square is nearly dead, Isle of Dogs won't last, The Party is enticing, while Loveless brings a Russian chill.

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Camera turns time machine for Women in Black

The first images for the Ladies in Black film reveal a story embedded in a time and place when the…

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Commercial TV increase in sports costs is seven times the local drama budget.

Commercial television is hammering to reduce the amounts of drama etc it is compelled to run. But spiralling sports costs…

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