David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

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New emerging writers' opportunity via Warners and Black List

Warner Bros offers emerging Australian writers a way out of the Australian cage. To find, of course, a much bigger…

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Box Office 11 June 2018: Breath still bubbles, Cargo bad, Oceans 8 embraced here

Due out on wide release this weekend, Upgrade is doing fine in the US as a specialty release taster for…

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Queen's birthday trumpet sounds for Jill Bilcock

Jill Bilcock, Chris Freeman and Alison Niselle are the true industry figures in this year's nominations, representing the crafts of…

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The redemption of Peter Jackson in a steam powered Zeppelin

What's it got in its pocketses? Steam engines and a monstrous, mobile City of London.

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From the releases - Queensland studio, SPA, Natalie Miller Fellowship

Govt to help pay for Brisbane Studio, Ones to Watch can be watched, SPA prize fight open, Business Essentials and…

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Box Office 4 June 2018 - Nash Edgerton practices craft, Gringo Audience absent

Breath bubbles along, while a pair of small films geared to female audiences are doing just fine.

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Tony Morphett: 'You wanted to be worthy of his respect'

The death of Tony Morphett inspires colleagues to honour his skills as a screenwriter, his feeling for character and his…

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Executive jobs galore

There are some interesting agency opportunities at the moment as the SAFC and Film Victoria are both advertising several positions.

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For novelists and filmmakers, the young adult TV market explodes in new ways

Who is behind Komixx, which now has a base in WA? The answer shows us how the market for YA…

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Melbourne Film Festival: opening with an instant classic

Wildlife has all the indicators of a really satisfying experience steeped in traditional ideas of cinematic quality

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