David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

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Industry reps keep pushing Parliament on key issues

The screen sector is trying once more to be cute, intelligent and potentially irritating in federal politics. It's Winter Lobby…

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Industry's own survey reveals ghastly truth - to make money, go global or do a game show.

Beyond the industry's economic value, we are deep in a battle about scale which sees big as best but small…

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Box Office 25 June 2018 - willing Brothers' Nest to a historic breakthrough

In amongst the tentpoles raised for the holidays is the dark MA15+ brotherly fratricide of the talent-drenched Jacobsons. At the…

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Hugh Stuckey - a life in laughter

Writer of drama and comedy and the ultimate veteran - Hugh Stuckey is dead.

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NSW budget as states fight for footloose productions

It was probably a foregone conclusion, but the NSW government comes through with the incentives for the large scale productions.

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Sandy George to move on from Screen Australia

Sandy George honoured by Fiona Cameron while Screenhub calls for her role to continue.

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Sydney Film Festival 2018 - Dendy Awards, and Documentary too

The Australian awards at SFF point to rising production companies and directors raring to grab their first features. Time to…

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Box Office 18 June 2018 - are the tentpoles cannibalising each other?

Incredibles on the rampage, while modern Indian women rattle families in the multiplexes.

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Law squeezes Gilliam out of Don Quixote

French law seems to steal Terry Gilliam's film in a case of legalised theft, in defiance of all reason.

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Is our art made up of soggy imitations?

The arts bureaucrats keep hustling for greatness. Does it work? In screen at least, the festival directors have serious reservations.

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