David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

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Box Office: Mamma Mia and Andre Rieu win. Don't think about it.

It's no justice time in Australian cinemas as Mamma Mia attracts hordes and some good indies drown in their own…

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Screen Australia development - hints of the production future

Here's a batch of films to think about. The landscape of Australian cinema is surely changing, but we still don't…

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Prism - how can Australian feature production emerge from its Vale of Tears?

First tool to advance the frustrated Australian feature sector is clear thinking, backed by co-operation. Here's a good start.

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Tony Ayres goes global: I feel like the guy who has the cake and eaten it.

Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.

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Nine gets ready to eat Fairfax. What makes it tasty?

The Nine and Fairfax deal is logical and prudent for shareholders etc, but what about the real stakeholders, the citizens…

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Box Office: no wonder Netflix is doing well

Not much around at the moment and the figures reflect the fact. Jill Bilcock has a blink of attention even…

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SBS loses Managing Director

Michael Ebeid is moving on from SBS after a solid stint as Managing Director. No news yet on his future.

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Box Office - 16 July 2018: tripping over tentpoles as holidays end

Some commercial English language films get a hard time in our cinemas, as micro budgeted local films arrive for an…

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Iranian cinema - sharply modern, fed by tradition

In art cinema land, Iranian films can be arresting, varied, mischievous and enigmatic. An email interview provides a glimpse of…

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F###ing Adelaide - six eps from a fascinating company

Innovative Adelaide production company explores the temptations of episodes, and takes the audience from giggles to a gut wrenching finale.

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