David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

News

Box Office: Horse film stands up to Joker, keeps screens

Ride Like a Girl hangs on against increasing competition from tentpole pics. Joker is the big one.

News

Taking Playmaker Global, armed with good writers

Sara Richardson adds another twist to her development exec career as she moves back to Playmaker and a role between…

Opinions & Analysis

BBC slugs out the future with the biggest players

While the UK tears itself to pieces, the BBC argues for a role which illuminates our own Australian dilemmas.

News

Ride Like a Girl hooks audiences

Ride Like a Girl was quick out of the gates and clobbered its opposition.

News

Family films are really crusades. Just ask Richard Keddie.

Ride Like a Girl is hunting for broad audiences, and one of its best weapons is its steadfast celebration of…

Features

The Show Must Go On – but at what cost?

The arts are haunted by mental health issues. Ben Steel healed himself by documenting the truth in a new documentary.

News

Beached Az returns, reborn as a climate change warrior

The Beached Az web series is back, fronting a social media and documentary campaign about climate change.

News

Which country produces the most popular foreign shows in the world?

Here are some cliche-cracking numbers to ponder. Australians are not really doing that well in foreign affections but the Canadians…

News

Industry grabs new weapon in regulation fight

Armed with the conclusions of a major government report, the screen sector gathers in Parliament House to impress the key…

News

Streaming service Acorn stays non-exclusive, does just fine

How America's first Black billionaire turns the long tail of Australian projects into addictive drama (we hope) and provides a…

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