David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

News

Box Office: Success for 100% Wolf as Babyteeth floats along

100% Wolf is heading to be an Australian hero release for 2020, helped along by the UK with an unexpected…

News

WA studio proposal suddenly gets real

The WA government is now serious about supporting a studio complex in Perth and has asked for proposals in a…

Features

Two short films and their journeys into space and light

The dance of new passions that emerge from short films in a festival is a promise to the future. Here…

News

Feds release insurance dosh

The government's COVID-19 insurance system has now started and works under very tight rules.

Features

Media diversity: the awful truth about our newsrooms

New research shines the cold light of reality on who gets to tell us what's important in TV news and…

News

Adelaide Film Festival goes physical for October

Journalist Phill Liggett, the Bangarra Dance Company and explorations of the violence of white settlement will anchor the 2020 edition…

News

Box Office: Babyteeth chomps on grimly as wild old men duel for dosh

Bad Boy Russell Crowe is bankable while Mel Gibson flops as a famed art connoisseur. The young makers of Babyteeth…

Features

Between hope and threat, children's television takes advantage of sales

As ACTF head Jenny Buckland emphasises, the sector is adaptable, is attracting new creators and sells well. It has everything…

News

Screenrights vs Foxtel returns to Federal Court over TV rights

How much will Foxtel pay for retransmission rights? The fight has gone to the Copyright Tribunal.

Opinions & Analysis

Is 2020 the year of the classy short?

What can we tell from the current crop of Australian short films in festivals?

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