David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

News

Australian v Auntie: the bewilderment of Ms Xu

Does this deal even exist? asks The Australian of the ABC's new China deal. Ms Xu knows nothing of it.

News

NSW Arts a reshuffle casualty

The new Premier of NSW, Mike Baird, has announced a Cabinet reshuffle, and the Arts Ministry was among the changes.

Features

Screen Australia: brains, democrats and a very appalling disaster

The international documentary tranche from Screen Australia gives comfort to independent producers with a yen to travel.

Features

Australia Network: stabilising its China presence with a new platform

ABC International and Australia Network have announced an agreement with the Shanghai Media Group.

Features

Parer's War: much more than a biopic, a moment of reverence

Parer’s War is a film about our most remembered filmmaker, who redefined the craft of war correspondence with a Bell…

Features

ABC Cuts: SPA goes public to protect independent sector

After a weekend of increasing media pressure on the ABC cuts question, SPA produces a gambit of its own.

Features

Playpen: the sound of tomorrow's car

Prosaic daily life meets the minds of sound designers to become an exploration of future travel on the street electric.

News

Ten: industry reduced to awe over mess

Ten's latest results confrm the financial realities when the casual punters simply walk away.

News

Screen Australia Development Funding: bubbling up from the collective psyche

As Death is for the Living, development is for the survivors. 16 into $550,000 is do-able.

News

Ratings: Wednesday, 9th April 2014

Nine triumphs as the Block reaches its finale in a frenzy of real estate obsession and some useful controversy.

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