David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

Features

ABC appoints Rebecca Heap to bring digital into program strategies

With the appointment of Rebecca Heap as Head of Audience and Digital, the ABC gambles again on the internet. Well,…

Features

Small players making it in global gaming market

Developers from tiny markets like Australia are not necessarily disadvantaged when making games go global - a marked contrast to…

News

Lexus Australia Short Film Festival Finalist list poses huge question

The Lexus Australia Short Film Fellowship is trundling towards the climactic announcement of the four successful filmmaker, due next month.…

Features

Screen Australia: new Offset leader found inside organisation

The new head of the Producer Offset and Co-production Unit is Tim Phillips, who will dust off the legal parts…

Features

What the arts can learn from games development

No art form connects with its audience more viscerally than gaming: it's time everyone else paid attention.

Features

Box Office 21 March 2016 - in which The Daughter takes wing

Once a duck [as in the Ibsen play] always a duck [as in the classically derived The Daughter] but Australian…

Features

Scorsese on the mean streets of Melbourne

ACMI adds a transformative touch to the Scorsese exhibition in its first incarnation beyond Europe.

Features

Long Story Short initiative calls for online narrative series ideas

The doors to television careers are creaking open, as the genie of short online narrative series flexes its muscles.

Features

Box Office 14 March 2016 - featuring the most noxious hero in the modern world

Australia arthouse audiences are enchanted by a film whose main character is defined partly by projectile shitting.

Features

AIDC 2016: Roger Jackson, Kinonation and the global opportunity of VOD

Indie-friendly VOD is alive, kicking and even easy, if you don't get cynical on the way.

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