David Tiley

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.

David Tiley's Latest Articles

Features

ABS industry numbers explore a time of hope and trouble.

The master survey of the whole sector from the ABS is a fascinating mix of fortunes, which basically shows that…

News

What's On - SFF, Winton, Stratton, Melbourne Animation, AACTA dates

Sydney Film Fest climaxes with lovely Screenability program; MIFF to open with The Jungle; Melbourne International Animation Festival approaches.. and…

News

Ten's travails turn dramatic

Will the Senate wilt and remove the two out of three rule? Will Ten have an unexpected owner? This could…

News

Queen's Birthday Honours List 2017 most joyful in years

Cate Blanchett leads off on a list which includes Deborah Mailman, Stephen Page, Don Crombie, John Romeril, a clown called…

News

National Ratings from Sunday 11 June 20-17 - the whole batch

Car Wars and the AFL gives Seven a solid hit for the night.

News

Box Office 13 June 2017 - Hounds of Love keeps rolling through long weekend

Wonder Woman has the world by the throat, Baywatch is an embarrassment, and Hounds of Love seems to survive on…

Features

From the sublime to the petty - exploring our passion for mountain heights

Richard Tognetti and Jennifer Peedom collaborate on unique concerts and a landmark documentary.

News

What's On - Thornton triumph + famed cat film + Herzog + ACO + more

We Don't Need a Map, Mountain with the Australian Chamber Orchestra and The Mummy on IMAX join Herzog to add…

Features

Southern Cross doco has spiritual punk vibe

Warwick Thorton's We Don't Need a Map is really something - a major essay film that is funny and fresh…

Opinions & Analysis

Auntie Jack collides with Pauline Hanson

Whitlam's children confront the present, armed with Photoshop and a sense of irony.

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