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artshub-au's Latest Articles
Brief: SAFC builds new jobs, engages in different ways
Shifting from Arts to an Industry portfolio, the SAFC is making interesting appointments.
Review: The Equalizer 2, Sony Pictures
Denzel Washington makes his first sequel in this vigilante effort, but The Equalizer 2 only slightly improves on its predecessor.
Brief: Netflix looks more like a studio
The Netflix model is getting a bit less monomaniacal as it feels the urge to be involved in production, just…
What's On Screen: lovely arthouse, great streams, four compelling fests at once
Brisbane (film), Melbourne (TV) and Castlemaine (docs) offer great festival gutzing. We take the chance to expand our list of…
Suresh Ayyar, alive still in his work
For an artist, death is not final if the work lives on beyond personal memory. Editor Suresh Ayyar's friends search…
Review: Madeline’s Madeline, Revelation Perth International Film Festival
An astonishing debut performance drives this expressionistic coming-of-age film, toying with life, art and everything in-between.
Rolf de Heer - a chasm of difference between an Australian story and an Australian storyteller
Rolf de Heer is a remarkable filmmaker, Dutch born, probing deeply Australian stories, honoured internationally. Here he talks about the…
Review: Beast, Revelation Perth International Film Festival
A taut character study as well as a psychological thriller, this superbly acted film examines beasts and beauty on several…
Review: Skyscraper, Universal Pictures
Dwayne Johnson takes on the world’s tallest building, a sky-high fire and generic villains in this derivative action effort.
Review: Funny Cow, POW Films
Women and comedy and the working men's clubs of England's north: not so funny but unforgettable.