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Inside the story: the ABC of screenwriting as demonstrated by ABC's The Heights
Why do we tell stories, and how are they crafted? In this series, we unpick the work of the writer…
ICYMI: A wrap of this week’s arts news
Aboriginal art in NYC, success at Perth Festival, objections to proposed amalgamation of WA orgs, and new projects for Barangaroo,…
Film Review: Godzilla II - King of the Monsters
Give us the giant city-smashing creatures we're here for - and less of the puny human drama, says Anthony Morris.
Film Review: Rocketman is a blast
Revelling in the pure emotionalism of the stage musical, Mel Campbell is singing along to this Elton John biopic.
The Netflix Genre: The Perfection, Rim of the World & Booksmart
Is there such a thing as an identifiable Netflix film? Adrian Martin has a first take on an important pressure…
Small Screen Highlights: Women own this joint
Quite by chance, our TV picks are dominated by fierce femmes in Wentworth, Killing Eve, The Handmaid's Tale and The…
Cannes losing relevance? Not the way we see it.
In a quiet festival, the US film press looks for evidence for the decline of Cannes.
Review: All About Eve, National Theatre Live
In the age of #MeToo, Ivo van Hove’s adaptation of the Hollywood classic feels dated despite splendid performances.
TV Review: Better Things is utterly lovable
Pamela Adlon's tough, unsentimental comedy about stretched motherhood is just as good in its third season as in its first,…
Now that it's over, why did Game of Thrones mean so much?
Cultural commentator and long-time recapper Mel Campbell looks back at the show that won and broke so many hearts.