Television
The basics on licensing music for the screen
If you're adding music to video content you'll need to understand what rights, or permissions, you have to clear before…
Berlin Film Museum: Lamingtons v Linzertorte in a tale of two cities
Is it cruel to compare Canberra's NFSA displays with the Film Museum in Berlin? Does it make ACMI look like…
Last Dance: cutting through with a two hander
Last Dance is living proof that you can develop a solid reputation as a capable technician for hire, and still…
Shock: jumps on Titan View's roller derby
Home entertainment distributor Shock Entertainment will be releasing the DVD of Fremantle Entertainment's Roller Derby Xtreme Tour. The tour follows…
First of a Kind; Last of the Bunch: in the end, the heroes have their place
In the creation of an organisation, we always have to contemplate the ugly workings of small-mindedness, accidental success, and the…
ACMI: appoints new Head of Exhibitions
The Australian Centre for the Moving Image (ACMI) today welcomes Russell Briggs as ACMI Head of Exhibitions.
Enterprise Funding: building some newer feature careers
Marked change in the Screen Australia approach to drama in the Enterprise system - it has created a separate strand…
Zora Semborova: Requiescat in Pacem
Dancer, teacher, and exile Zora Semborova has died in Adelaide, months before returning to Prague to celebrate her hundredth birthday.…
SPAA 2012: the app for your phone
Just like last year, SPAA's conference app is very lovely. You too can share the illusion that you control your…
HANIFF: more Kiwi participation confirmed
Existence screens in the feature competition and now knows what it's up against with the announcement of the other competing…