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UPSKILL FOR A CAREER BOOST! EDITING & VFX, CINEMATOGRAPHY, iJOURNALISM, MUSIC LICENSING, SCEENWRITI

Get up to speed with the latest editing and VFX software in February courses INTRODUCTION TO AFTER EFFECTS FOR BROADCAST…

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Labor Day

Jason Reitman applies his trademarks to a new forum with an almost persistent, provocative sense of difference.

Features

Craig Lahiff: pioneering SA director dead

Craig Lahiff died on Sunday February 2nd; he was a true individualist whose passion for genre took him from The…

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Mistaken for Strangers

It isn’t easy being the brother of a famous musician.

Features

Brief: trailer for The Rover is out and about

A lot hangs on this picture, which is running on positive early rumours.

Features

AACTA 2014: Awards results

The Great Gatsby got everything again, demonstrating that the public and the Academy can line up behind the scale and…

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AACTA: the year of the Gatsby

The Great Gatsby got almost everything, its 12 wins from 13 nominations causing a mixed reaction. One downside was that…

Features

TIFF: its our party and we'll cry if we want to

Toronto's Artistic Director Cameron Bailey says any title expecting screen space on the festival's opening weekend must deliver a world…

Features

AACTA 2014: The Rochelle wrap-up

With her deep experience of the organisation's changes, Rochelle Siemienowicz has covered AACTA and this year's awards in considerable depth.…

Features

Stop Press: SXSW in Screen Australia's own words

So late we are printing the press release. isn't it nicely written?

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