Television
AIDC: nimble enough for a revolution
The Australian International Documentary Conference reveals a new approach, insists it is honouring the past, and skis into the blizzard…
Interstellar
Aiming for spectacle, awe and wonder, does the reach of Christopher Nolan’s space adventure exceed its grasp?
My Mistress
Despite a tone that aims for sensitivity and seriousness, My Mistress is unable to overcome the awkwardness of its concept.
The Gough Whitlam Memorial Services: the speeches
In a day of remarkable idealism and unity, Cate Blanchett and Noel Pearson gave extraordinary speeches from their hearts.
Box Office: bet on pride [and tolerance] and do just fine
With only a few familiar tendrils of antipodean cinema hanging on, the discerning viewer can inspect Pride and Whiplash.
Elizabeth I: The Last Dance
The exclusive World Premiere screening of Lindsay Kemp's 'Elizabeth I: The Last Dance' in Melbourne is exquisite and dazzling.
The Immortalists
Optimism, not answers, is the ultimate outcome for an documentary designed to spark like-minded thoughts and start conversations.
Introduction To TV, Drama Production Management, Avid 101, Cinema 4D & More @ AFTRS Open
Find out how to get into the TV industry in AN INTRODUCTION TO TELEVISION (Sydney this Sunday Melbourne next Sunday).…
RatPac: James Packer back into media - this time through film
Have the true media tycoons gone from our culture forever? Maybe not, if James Packer plays his Hollywood cards well…
Xenia
Style, sweetness and a hint of subversiveness and surrealism helps the amiable Xenia cope with its well-worn concept.