Television
Pozible launches small but shiny new revenue tool
Moving away from the frenzied 'all or nothing' crowdfunding model, the Australian platform introduces ongoing subscriptions for podcasters, writers and…
2018 Screen Forever charges into sight
The sessions at Screen Forever are pretty enticing. Here's a bunch that might make a difference to the Australian approach…
Brief: Mason continues to lead Screen Australia quarry
Graeme Mason has Screen Australia for another five years.
How stage and screen professionals can help reduce suicides in Australia
Evidence suggests that the dramatic portrayal of suicide can impact on vulnerable audiences, including contributing to increases in copy-cat incidents…
What's On Your Screen: Armistice, Suspiria and Boy Erased
Beyond the tentpoles Peter Jackson's film about WW1 will honour the Armistice this weekend, while Boy Erased does Joel Edgerton…
AWG, AWGACS and Screenrights case settled
End of legal stoush creates fascinating mystery.
The Merger and Book Week: two comedies - different souls
Two indy comedies out in 2018 - what do they tell us about the State of the Form? Does it…
Box Office: Bohemian Rhapsody takes over, as if it matters
Australian audiences take to Queen like it was waving at them from a black Rolls-Royce.
What was the state of ArtState? Gauging the health of our regional conversations.
On the ground in Bathurst, ArtsHub takes the pulse on this regional arts conference and asks just how robust our…
Found on the net: a history of Chinese horror
It is no secret that the Screenhub Hivemind is fascinated by horror and Asian cinema. Here we share some of…