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Industry connections make AFTRS an industry leader in media education

The Australian Film Television and Radio School’s range of Summer Intensive and Industry Certificate courses will help you develop relevant…

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Box Office: Ladies will slip away while Backtrack Boys chews a bone slowly

Backtrack Boys is hanging in while the multiplexes are dominated by two films.

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Miriam Katsambis announced as 2018 Natalie Miller Fellowship recipient

Conversations about women and power in the screen industry continue to set the agenda, and there are impressive women supporting…

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Screen Forever 2018: Matthew Deaner's speech

Matthew Deaner, CEO of Screen Producers Australia, swims against the ideological tide.

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Revew: Journey’s End

First penned 90 years ago, this grim, sober and powerful war drama makes for moving viewing.

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Bernard Bories honoured as French face of antipodean cinema

From pesky foreigner to cultural hero, Bernard Bories has followed his heart and honoured the Australian screen sector. Now the…

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Making Screen Diversity and Inclusion stick

Change can be irresistible but it is never inevitable, unless it can be anchored by institutions. Hence the Screen Diversity…

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What's on the big screen: Shoplifters, Hamlet, One Cut of the Dead

Static mainstream as Shoplifters arrives to delight the tragics and One Cut of the Dead opens the Japanese Film Fest…

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Screen Forever 2018: new strand finds the unofficial truth

Screen Forever adds a strand to the program about creative duos which focuses (gasp!) on the human stuff behind the…

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Screen music 'unlocks the soul of the film'

Screen composer and Guild President Caitlin Yeo and filmmaker Robert Connelly honour the mysteries of their linked emotional journeys.

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