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Opinions & Analysis

NAVA responds to persistent NSW political interference

Coinciding with a national call out for greater artistic courage, NAVA also responds to continued political interference in arts decisions…

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AIDC 2019: learning from experience at Pitch Australiana

'We went home, tightened it, practiced and practiced and practiced, and then forgot it all when we delivered it!’ -…

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AIDC 2019: John Brown hears pictures and films animals.

Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called…

Film Review: Hotel Mumbai

An unforgettable movie that brings terrorism to shockingly vivid life, but needs more story-shaping.

Company Announcements

Escape from Pretoria becomes a film in South Australia

Arclight Films, MEP Capital and the South Australian Film Corporation (SAFC) today announced production has commenced on the true-life prison…

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AIDC keynote: Diane Weyermann's inside story on Participant Media

Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.

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Film Review: High Life - Taboo in Space

Auteur Claire Denis' first foray into English language cinema is a cool, calm sci-fi movie almost bereft of gadgets, with…

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Film Review: Reflections in the Dust

Without an an ounce of amusement, this bleak and confronting Australian film commands the audience to watch — or walk…

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Fim Review: Wild Nights with Emily, MQFF

Emily Dickinson revisioned in lesbian comedy by Madeleine Olnek.

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Film Review: The Price of Everything

The battle between creativity and commerce drives this accessible state-of-play examination of the contemporary art world.

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