Television
Danger close? The battle over the meaning of Long Tan
Danger Close raises provocative questions about the construction of a modern war film. Here's military scholar Tom Sears from the…
Bohemian Rhapsody DoP on his choice of lenses
It is almost impossible, unless you got all VR, to avoid the use of a lens. Their effects are things…
The burden of responsibility as an activist
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure…
Elephant stomps on traditional development practice
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…
CinefestOz bets on happiness
The CinefestOz finalists for 2019 were a pretty good batch, with a family film about joy and optimism comes through…
Box Office: cautious release for Nightingale while Palm Beach and Danger Close wind down
Australian films hold their line but there are no charges to glory. Not even from the war film lovers.
Screenhub kicks off the Hub Club with a discount offer on Screen Forever
We are much more than a bunch of stories as members are about to find out with our new Hub…
Leading for change – who’s leading disability arts?
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it…
Black List scheme throws Oz writers into global deep end
The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.
Director's cuts - do they make a film any better?
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back…