Television
Screen Australia is a pesky bunch of fanatics. True or false?
Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new…
Box Office: like Tenet, industry survives on the oxygen of hope
The figures remain grim even though Tenet and The 800 have delivered some excitement to industry hearts heavy since March.
Queer Screen Film Fest announces its biggest program yet
The 10-day LGBTQIA+ festival will run 17-27 September, and features 29 Australian premieres over its program of over 40 films,…
Indy distributor Kornits kicks away COVID, grabs unexpected chances
Filmink Presents distributed the first Australian film since COVID-19 arrived. It is a modest kid's film which is taking advantage…
Movie theaters are on life support – how will the film industry adapt?
Cinemas have survived every horror for more than a century. But the threat of COVID-19 still sends a shivers up…
Cinefest Oz: the hunt for genre gems with short film awards
Cinefest Oz shorts awards reveal a passion for the fantastic, from outer space to the world's strangest pet, and the…
Postcard from Cairns: Biopixel delivers nature to a locked down world
Specialising in underwater footage, the Cairns-based company has a new lens that helps them move onto land.
Box Office: Tenet opens as Babyteeth gets the Heroic Pluck award
The only piece of normality in Australian cinemas last week is a Chinese war movie. 'Tenet' tried, and made perhaps…
Think tank: can virtual production transform screen budgets?
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider…
Screen News in Brief: Stan accelerates growth to more than 30 productions a year
The local streamer makes a flurry of announcements; plus Screen Australia development funding, Jack Thompson turns 80, and lots more…