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Occupation: Rainfall hits the climax of a cinematic crusade

In the search for filmmakers addicted to genre, the Australian screen sector has its fingers crossed for Occupation: Rainfall. We…

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Australia Day Honours List 2021: we find treasure

From new forms of media to honouring elders, this year's award list is muted but touched with joy and melancholy.

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Box Office: Australian share of market now at 20%

The Dry and Penguin Bloom have now turned into a Demon Duo, turning heads in the multiplex foyers to local…

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Screen Forever program now available, and it is lean and clever

Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020…

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Music is in danger of being taken for granted - screen composer Amanda Brown

The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing…

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Box Office: Eric Bana is an Australian hero

The drily titled The Dry is doing remarkable business which could well be leg one of a trifecta.

Features

What We're Watching: January

Teenage Kicks, Wolfwalkers, and musical YouTube channels: let's take a look at what the team is watching at the start…

Features

From home to the world – an honoured screen composer has her life sewn up

'The ability to focus, without interruption and just inhabit a beautiful space where you're working extremely fast with clarity.' Nerida…

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News in Brief: year begins with modified hope and modest dreams

Screen Forever moves online, ACMI's set to reopen, and classy Australian films screen at cinemas. Here's what you need to…

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How Australian films did globally in 2020

From The Invisible Man to Measure for Measure, Anthony Ginnane does his annual scorecard of Australian film's global theatrical performance.…

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