Television
A Valentine for Baz Luhrmann's Romeo + Juliet
Celebrating the film's 25th anniversary and cinema re-release, Mel Campbell writes a love letter to the iconic movie that makes…
How Historically Accurate is High Ground?
Close research by academics reveals the violence depicted is uncomfortably close to the truth.
News in Brief: Three Australian films for SXSW, ACMI opens, and conferences get set to go
Leah Purcell's The Drover's Wife will world premiere at SXSW, along with Gracie Otto's music doc Under the Volcano. There…
The financial artwork behind Long Story Short
Jamie Hilton has a viable business making low-budget indy arthouse films. This is how he does it.
Screen Forever: late tasties add depth to program
The executive producer of The Queen's Gambit, the Unreal Engine and the Canado-gallic mind behind the Assassin's Creed franchise. What…
Rebooting the museum of the moving image
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a…
Box Office: Is the Dry turning Eric Bana into a cinema legend?
Audiences are still pouring in to see The Dry, despite more recent temptations.
Vale Lesley Stern
'An incomparable deflator of male egos and fantasies', Lesley Stern's vivid intellect made a big mark on the Australian film…
Dear White Screen Industry...
Championing diversity without dismantling institutional racism is like putting up a 'safe to dive' sign without doing any work to…
Vale Virginia Fraser
Melbourne artist Virginia Fraser is well remembered for her photo media works, her spirit to collaborate, advocacy for women artists…