Television
Box Office: Success for 100% Wolf as Babyteeth floats along
100% Wolf is heading to be an Australian hero release for 2020, helped along by the UK with an unexpected…
WA studio proposal suddenly gets real
The WA government is now serious about supporting a studio complex in Perth and has asked for proposals in a…
Two short films and their journeys into space and light
The dance of new passions that emerge from short films in a festival is a promise to the future. Here…
TV Review: Looky Looky Here Comes Cooky is Unapologetically Black
Told through songlines and stories, this response to the colonial celebration of Captain Cook is passionate and affirming, writes First…
What We're Watching: Not-so-happy families edition
From crime families to chosen family, to recommendations from far away siblings, this month’s screen picks are shaped by the…
Feds release insurance dosh
The government's COVID-19 insurance system has now started and works under very tight rules.
Media diversity: the awful truth about our newsrooms
New research shines the cold light of reality on who gets to tell us what's important in TV news and…
Adelaide Film Festival goes physical for October
Journalist Phill Liggett, the Bangarra Dance Company and explorations of the violence of white settlement will anchor the 2020 edition…
Box Office: Babyteeth chomps on grimly as wild old men duel for dosh
Bad Boy Russell Crowe is bankable while Mel Gibson flops as a famed art connoisseur. The young makers of Babyteeth…
Three South Australian filmmakers share in Lottie Lyell Award
Fiona Percival's animated series 'don't f with me' wins the major development prize, with Madeleine Parry and Allison Chhorn also…