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What's on screen: Breaker Upperers, Wrong Kind of Black, MIFF, Koreans...

MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest…

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Daley Pearson - Australian stories are 'authored and from the gut.'

What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum…

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Screenrights Chief Executive Simon Lake resigns

Screenrights loses a veteran who has presided over enormous changes over twenty years. Expect Simon Lake to surface for new…

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Prism - how can Australian feature production emerge from its Vale of Tears?

First tool to advance the frustrated Australian feature sector is clear thinking, backed by co-operation. Here's a good start.

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Tony Ayres goes global: I feel like the guy who has the cake and eaten it.

Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.

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New York arts exec to head up Create NSW as CEO

Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.

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Nine gets ready to eat Fairfax. What makes it tasty?

The Nine and Fairfax deal is logical and prudent for shareholders etc, but what about the real stakeholders, the citizens…

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Brief: SAFC builds new jobs, engages in different ways

Shifting from Arts to an Industry portfolio, the SAFC is making interesting appointments.

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Suresh Ayyar, alive still in his work

For an artist, death is not final if the work lives on beyond personal memory. Editor Suresh Ayyar's friends search…

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What can the screen sector tell us about the future of work?

Screen Producers Australia tells Parliament about freelancing, creativity, the brain drain and the gig economy.

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