Film
Local film & TV makes up just 1.6% of Netflix’s Australian catalogue
Netflix’s local content level has fallen from 2-2.5% to 1.6% (82 Australian titles out of 4,959) since 2017.
Sharing secret producer business and staying realistic
Producers are 'in charge of the resources', in Andrena Finlay's neat but bland phrase. What does that really mean?
Sue Austin's underwater wheelchair is a blow for freedom
The Adelaide Film Festival runs a remarkable underwater cinematic spectacle which turns disability inside out and upside down
Secrets and Spies: an interview with Pine Gap's Felicity Packard
The writer and producer on the ABC/Netflix's spy thriller talks about trust, working with Greg Haddrick, and imagining conflict inside…
Humanising the screen industry with statistics and a plan
Raising children in the screen sector is hard - but there are useful initiatives that see the industry in a…
Australia's Fearless Mermaid Swims On
A new online exhibition curated by the NFSA celebrates the life of Annette Kellerman: champion swimmer, silent movie star, aqua…
The Scribe - Graham Freudenberg, shaper of power, poet of ambition
Graham Freudenberg holds high the flag for decent public discourse as we hold our noses in political sludge.
Review: Particle/Wave, Melbourne International Arts Festival
Particle/Wave, set at the Planetarium in Scienceworks, is a love letter, a poem to what has been discovered in our…
Creatives have the power to change politics NOW
Claiming a formerly safe Liberal seat will create greater visibility for art and culture. The Arts Party head to the…
Defining the Australian story - hunting a dream within a dream
Globally focused director Cate Shortland takes serious issue with our favourite fuzzy idea.