Film
How Netflix won Brazil
The story of Netflix in Brazil is a partial template for emerging countries, and collides with dangerous political territory.
How to succeed in artistic business - weaponise self knowledge, with your friends
Prosperity for sole trader artists is about some business knowledge pumped up with a good dose of empowerment. Enter Monica…
Scripted Ink showcasing Australian writers in the USA
Scripted Ink continues to revolutionise the way quality Australian writers and their projects find their way to the marketplace as…
AIDC 2019: learning from experience at Pitch Australiana
'We went home, tightened it, practiced and practiced and practiced, and then forgot it all when we delivered it!’ -…
AIDC 2019: John Brown hears pictures and films animals.
Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called…
AIDC keynote: Diane Weyermann's inside story on Participant Media
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
AIDC 2019: Lisa Jackson's First Nations VR expands future of docs
Backed by the might of the Canadian National Film Board's commitment to digital experiments, First Nations filmmaker Lisa Jackson tests…
AFTRS: Christina Alvarez now Director of Partnerships and Development
AFTRS today confirmed the appointment of Christina Alvarez as Director of Partnerships & Development. She has been acting in the…
Sue Clothier, Andrew Mackie and Richard Payten create Utopia
Award-winning Producer Sue Clothier and Transmission Joint Managing Directors Richard Payten and Andrew Mackie announced today the formation of Utopia,…
'Creative Intelligence': Dr Chris Stevens brings science to the art of ideas
Einstein said that 'creativity is intelligence having fun'. Can we do that too?