Film
Travelling light: A solo shooter’s gear guide
Filmmaker Markus Stone looks at how to film without a crew by assembling a mobile travel kit of cameras, lights…
ASEAN: the actual text of the new Self-Regulatory Code
The initial information about the new Self-Regulatory Code for the Subscription Video on Demand Industry in ASEAN did not have…
How to deal with streaming threat to culture: unleash your inner NO!!
NBCUniversal signs onto a self-regulatory approach to streaming in ASEAN countries, highlighting the rise of local control over values.
Screen Forever: on the hunt for answers
Screenhub is on a mission at Screen Forever. What do we want to know about, from our unique industry perspective?
TV: Fat Pizza is Back in Business
You’ve got to be doing something right to keep a comedy series going on Australian television for almost 20 years.
Piloting a Program for Change: Women in Film & Television (WIFT) Australia
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne…
Rose d'Or finds Australians at both ends of the spectrum
Rose d'Or Awards hopes are up, fired by very hot vegetable.
How much SVOD content is Australian? Here are the facts
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content.…
Collecting the history of video games
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
Just Hit Send: Christian White's top tips for authors and screenwriters
The bestselling novelist and screenwriter of 'Clickbait', Netflix's first Melbourne project, talks story structure, terrible first drafts and the myth…