Film
Stan - how Mike Sneesby dunnit
In less than five years, Stan has spent $55m on Australian content, is making a profit and believes it has…
Guess who won an International Emmy?
Matchbox Pictures has a grand gala night in New York.
Doc veteran speaks out - it's the process not the product
Andrew Wiseman, now at Film Victoria, explores the unique mindset behind documentary truth in a lovely speech.
Robot mother music honoured by screen composers
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Sushi Screen News
Short, snackable, raw. Here are the takeaway bites on our plate this week.
The art of a great logline: if you suck yourself in, you will never get out
The logical processes behind a fine trailer turn out to be a powerful development tool when a project is struggling…
Google's Tea Uglow gives us the benefit of the doubt
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
At last, the convergence of art with technology in a disruptive degree
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing…
Arts criticism is eroding in the digital age
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has…
Entering the Netflix maze from Australia
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a…