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Opinions & Analysis

Screen Australia is a pesky bunch of fanatics. True or false?

Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new…

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Technology is the frontline of access to enable storytelling

London artist and technologist Jane Gauntlett will give the keynote at Meeting Place 2020, Arts Access Australia’s forum on Creating…

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Just the Halifax Ma'am: Rebecca Gibney

The actor and EP revives her signature character for a new Nine limited series aimed at a global audience.

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First look at the Melbourne International Games Week 2020 program

The online program has opportunities for industry and audience alike, including esports, conferences, gaming club, and a talk from 'Minecraft''s…

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One of the great speeches on race and the screen sector

The remarkable British television historian who revealed the horrors of Windrush and the way the wealth of slavery created the…

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Short films: searching for ways to get attention

James Woods is piling up the short films, has tried the festival route, and is now about to release on…

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NZ Games Festival serves up 'The Pavs' Awards for 2020

The 2020 New Zealand Games Festival might have been postponed, but that didn’t stop them running a gorgeous Awards ceremony…

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Theatre review: The Pact by Bitten By Productions

With The Pact, a crunchy, low-fi, tech-drama, Bitten by Productions may perhaps have bitten off slightly more than they can…

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Film Review: I Am Woman nails Helen Reddy's quiet self-possession

Unjo Moon's debut feature has profound affection for its subject but the script could have done so much more, argues…

Features

Think tank: can virtual production transform screen budgets?

Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider…

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