Film
News in Brief: a Christmas movie for Stan, Gender still Matters and Wild West roundup
Our fortnightly mash-up of production news, policy analysis, festivals and reviews. Also some excitement about Chris Hemsworth and George Miller…
Cultural integrity and Indigenous collaboration on the Innchanted soundtrack
At Games Connect Asia Pacific Conference, composer Meena Shamaly detailed his collaborative process of composing a score alongside First Nations…
Children's sector confronts government, politely
The children's television sector looks like the biggest loser out of the current rebuild of the sector, and producers are…
ACMI renews digital promise in virtual launch
Is the Australian Centre of the Moving Image a place? A Zone? A Cultural Accumulation Machine to defy COVID-19? First…
The Time to Tell
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique…
Winners of the 2020 AGDAs announced
The Australian Game Developer Awards ceremony streamed live on Twitch in 2020, hosted by Jordan Raskopoulos. Here is the full…
Be bold, be real, be rigorous: Samantha Lang on creativity and change in this weird moment
The writer, director and ADG President reflects on the stories we're going to need and the challenges facing the industry.
Film Review: Dirt Music has a sense of disconnection
Lovingly capturing its West Australian locations, this Tim Winton adaptation would have worked better with local lead actors, argues Sarah…
ACMI's Big Games Night In brings a personal touch to games week
For the first time, Melbourne International Games Week has run completely online, and ACMI have stepped up to the plate…
One Punch: smartphones, improvisation, tiny crews and night crowds
Darcy Yuille has worked on crews and taught camera techniques for twenty years. Here he builds an aesthetic and development…