Film
Alex Gibney: 'My films are meant to be agent provocateurs'
Named one of the world's most important documentary filmmakers, Gibney spoke at AIDC this week and shared the techniques and…
Can you replace a scriptwriter with an algorithm?
Anton Andreacchio and Dr Lewis Mitchell sat down at Screen Forever to discuss the role of data in screen production,…
Netflix India faces the battle of the Bollywoods
While we watch the Feds and Netflix size each other up, the pan-global streamer is behaving differently in other territories.…
Movie Frenzy puts fat in the long tail
Distribution companies which used to rely on cinemas have been building ways of putting a tiny bit of icing on…
Feature doc makers fight back against new funding disaster
No dosh at all for less than a $1m budget. There goes the feature documentary sector, even as conventional TV…
Ask the Mentor: I feel sidelined to the B-team
A member of a production team on a returning series feels like others are getting ahead faster. Face up to…
Screen Australia announces 21 projects for Story Development Funding
A TV adaptation of 'Ladies in Black', a new feature film for Khoa Do, and a 12-part feminist political TV…
Box Office: return of the Oz film box office drought, slowly
Local films are dribbling away, sadly, though there is not much competition.
How to build the perfect format show: from Naked Attraction to Gogglebox
Gogglebox? Dragon's Den? Naked Attraction? What kind of loon thinks of these things? His name is Tim Harcourt and he…
Making Unreal short films with virtual post-production
Writer/Director Josh Tanner sat down with the CEO of Dreamscreen Australia and the head of Epic Games’ LA Lab on…