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Streaming Content

Stan resurrects some intriguing Aussie shows we bet you missed first time

Serangoon Road, Mystery Road, Wake in Fright and High Ground were all challenging titles, and some paid the price. Watch…

News

Australian Games Industry Grows Significantly In Jobs and Revenue, Thanks To COVID-19

Industry body IGEA released the results of a survey that takes a second look at the impact of COVID-19 on…

News

South Australian budget plays darts with precise objectives for screen sector

$29.5 million guaranteed to the sector in some key areas over the next half-decade is not to be sneezed at.

News

Screenwest opens funding rounds for documentary and scripted content

Offering millions in funding to WA productions, this is the film body’s first production round for the 2021-2 financial year.

News

Wolf Creek 3 to film in SA this year, Altitude to sell at Cannes

Greg McLean looses the horrifying John Jarrett onto the international scares market again through Australia-friendly Altitude Film Sales.

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Box Office: Peter Rabbit happy in the US as shark film slumps here

Playing With Sharks opens slowly, perhaps because the Australian audience doesn't realise the sheer wow factor of sharks in a…

Features

Testing Times: the unpaid labour of auditioning from home

Actors are struggling with increased requirements for self-testing, while casting agencies save time and money. The MEAA is formulating a…

News

Six First Nations films receive over $600k production funding through ‘No Ordinary Black’ initiative

More First Nations stories are heading to Australian screens in 2022, with Screen Australia and NITV announcing the six films…

News

Spielberg concedes to Netflix in new deal for the small screen

Once Spielberg saw Netflix as a kind of gremlin. Now the little beast has grown so large, he has partnered…

Opinions & Analysis

Revelation Film Festival and the shining lights of low-budget indy art

This year, Revelation Perth International Film Festival showcases some low-budget indy adventures in true art according to director Richard Sowada.

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