Feature
Oscars nomination for Adelaide VFX artists
Mr X, a SA Post, Digital and Visual Effects (PDV) studio, has been nominated for an Academy Award for Best…
Disney comes to ACMI in Australia-first exhibition
'Disney: The Magic of Animation' comes to ACMI in May, bringing over 500 unique Disney artworks to Australia for the…
Flesh After Fifty: challenging stereotypes of ageing females in film
A program of six films resists older women's invisibility. 'Flicks after Fifty' Programmer Kirsten Stevens says finding them was harder…
AIDC Zooms into its own inaugural awards program
For the documentary community, The Australian Dream is more than a fine picture suffused with controlled rage from Stan Grant.…
Film Review: Penguin Bloom plays it by the book
Naomi Watts is compelling in a story of resilience that sticks closely to the true account and to the formula…
What We're Watching: January
Teenage Kicks, Wolfwalkers, and musical YouTube channels: let's take a look at what the team is watching at the start…
You like them and so do we: a sampler of favourite Screenhub stories
Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in…
Film Review: Eric Bana shines in The Dry
Fans of Jane Harper's blockbuster crime novel won't be disappointed by this faithful big-screen adaptation, but reviewer Mel Campbell wishes…
Film Review: Ellie & Abbie (& Ellie's Dead Aunt)
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.
Film review: Never Too Late is manic by the end
Never Too Late is packed with a popular local cast. The box office will be a litmus test for a…